The psychiatrist Carl Jung believed that dreams often express our most hidden desires and fears – parts of ourselves that we do not want to or are too afraid to acknowledge when we are awake. He claimed that these neglected, or repressed, aspects of our personality often manifest themselves in dreams in the form of a relentless pursuer.
How does this theory apply to a protagonist from a text you have studied?
Jerks are mean – have the jerk get our attention by saying or doing things to your protagonist that are upsetting.
Jerks ignore us – have your jerk ignore the protagonist but pay attention to someone else. Have the Jerk only pretend to listen and act like your protagonist doesn’t even exist.
Jerks make us feel stupid – have your jerk make comments about what your protagonist says that makes him/her feel stupid.
Jerks are sneaky – have your jerk act all nice to others or around teachers or adults and then have the jerk do something that only the protagonist sees when no one else is looking.
Jerks lie – have your jerk try and make someone look bad to make themselves look better by lying.
The conflict is developed through the use of names that apply to the boy: Andy and a Royal. Skim the story to note how the names appear in critical places. What do these names represent?
What effect does Andy’s jacket have on the people who find him in the alley?
What are the reasons why these people do not help Andy?
At what point does Andy realize he is dying?
What does Andy do with the last of his strength? How is this important to the theme and to the outcome of the conflict?
Extra ideas for consideration:
http://en.wikipedia.org/wiki/Genealogical_DNA_test
http://en.wikipedia.org/wiki/Genetic_genealogy
http://en.wikipedia.org/wiki/DNA_profiling
http://en.wikipedia.org/wiki/Archaeology
http://en.wikipedia.org/wiki/Anthropology
Many feature films contain protagonists who are faced with overwhelming questions relating to personal identity and one’s place in the world. Make a list of recent films that contain such a character. For each film, describe what questions of identity the character faced and explore how those questions were (or were not) resolved. Are there any general observations you can make about the way our culture regards the quest for identity?